Civilization - 231 Chapter 231

Lu Ran had long since known that his path in life differed from others when he awakened a special ability one day. Sure enough a mysterious black card appeared, giving him the chance to become a beastmaster. With his loyal husky by his side, he sets out on his path to greatness.

Kujo Yuuri, who had been playing Elysia Online, finally changed her occupation to the sage of her desire. Then, she was asked whether to go to the true Elyasia or not and selected [Yes], and somehow went to another world. Furthermore, she became a small child.

The small sage Yuuri and her companions’ love and adventure fantasy.

In a world steeped in tradition and shadowed by secrets, a young girl’s life is torn apart when her family is destroyed, and her heritage stolen. Her father, in his final act, seals away a legendary power and treasure, leaving her with nothing but cryptic clues and a burning desire for vengeance.With a blade in her hand and rage in her heart, she embarks on a perilous journey, unraveling the dark conspiracies that surround her family's legacy. As she faces deadly foes and unearths long-buried truths, she must decide whether to unlock the immense power her father protected—or let it remain hidden.Her path is one of blood, betrayal, and redemption. Will she rise above the chaos, or will the weight of revenge consume her? Witness the making of a legend in this gripping tale of sacrifice and retribution.

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.