Claiming My Possessive CEO Husband - Chapter 393 - : Concealing Only Exposes More

In his first life, Victor was lazy, poor, and the ultimate gambler, but the Goddess of Envy gave him a chance.

[ Die and go back four years into the past to restart your life. ]

Victor lost all hope and killed himself, and so began his second and also the most miserable life.

He became rich and successful but soon his girlfriend betrayed him and took away all his fortune, having decided on a desperate act Victor came up with a plan to avenge himself.

Although his plan was successfully executed, Victor hoped that this time he would die once for all and forget the despair that followed him through his two lifetimes.

Yet as if to deny him of his salvation, he suddenly heard a feminine voice once again, but a different one this time.

[ Goddess of Lust, surprised by your actions, grants you a gift ]

[ Yandere system activated! ]

It was a turning point for Victor.

From now on whether it is a Goddess, a Vampire or a Succubus, no matter who it is I must seduce you or I will surely die this time!

There was a woman. Born as an illegitimate child and raised under the strict control of the queen, her world was as small as a well.

There was a man. He was forced to marry a woman who was his brother’s political marriage partner. His world, which was infinitely wide, became smaller.

The woman’s original sin, and the man’s resentment. “I should have just died instead…”

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.