Dark Blood Age - Chapter 66

Birth of the Biomancer:Mio was the worst healer in Tokyo. F-grade, dead weight—her party kept her around out of pity until they did the math and left her bleeding in a ruined cathedral.Something ancient was waiting there. It offered her a Class that devours its hosts—a path of power that claimed the lives of the three Biomancers who came before her. Mio said yes anyway. She’d already felt the sting of a slow death; what was one more monster in her veins?Now pain is currency, death is fuel, and the hunger grows with every kill. The Bureau wants a weapon. Her sister wants her home for dinner. Mio agreed to both.In a world of Systems and Dungeons, power isn't a gift; it's a trade. And Mio is finally ready to pay the price.════════════════════What This Is:[1] This is a progression fantasy with system elements, but the system serves the story, not the other way around. Expect meaningful numbers, not stat spam.[2] Romance is not the focus. Mio has bigger problems. But expect a slow-burn later down the line![3] The story gets dark, but it's earned. No grimdark for shock value.

Lu Shang picked up a dirty teenager while discussing work at a bar. It was merely happenstance, but memories from ten years ago resurfaced when he saw the gunshot scars on the teenager’s back.

Lu Shang asked him, “What is your name?”

“Xiao Li… My surname is Li, so they all called me Xiao Li.”

“You don’t have a name?”

“I don’t remember.”

Lu Shang said, “Then I will call you Li Sui. From now on, you will be with me.”

From that day onward, a young “lover” was always by Lu Shang’s side.

Years later, Dr. Leung teased Lu Shang, “You didn’t get his heart, instead your heart caved in; boss Lu, that doesn’t seem like a bargain.”

Keeley, a simple plain Jane, hits the jackpot. [No, she did not win the lottery!] At least that's what she thinks when she marries the most eligible bachelor in New York City: Aaron, a wealthy cold-hearted heartthrob and Tycoon.

Lin Qing He transmigrated into a novel and became one of its cannon fodders. The novel’s background is non-viable 1960s, a time of want to eat but nothing to eat and want to wear but nothing to wear.