Demonic Ascension: After 10,000,000 Years, The Lord Abyss Returns - Chapter 24 - : Introduction

After living in a desolate land, where there wasn’t even a single blade of grass and hunger was an everyday reality, Min Sung finally returns to Earth: his home.

Ai Xiao has three identities.
First, Jinjiang Lily Channel is very cold and aggressive;
The second is the brain-disabled fan girl of the ancient goddess Yan Tang;
The third is the S university bully, who is 1.5 meters tall and looks cute wherever he goes.
Later, the goddess Yan added another identity to her.
——Fourth, it is Yan Tang’s cute little girlfriend.
Ai Xiao: You, you let me go!
Goddess Yan lifted her up and kissed: No.

Consume this manual:
1. The author, Jun Mengmeng, can use the collection and comment package/raise (///▽///) to refuse to pick up the list.
2. This article is silly and sweet. Apart from sweetness, it is a pet. It is necessary to adjust the mood. The effect is better when eaten with cookies.
3. There will be guest appearances by Wen Xiaobaihua and his wife next door, but it will not affect the viewing of new readers. (For details, please refer to “[Rebirth] The same table is simply shameless”)

Content tags: A soft spot for sweet text
Search keywords: Protagonist: Ai Xiao, Yan Tang ┃ Supporting role: ┃ Others: Campus, Tianwen

- Description from novelbuddy

Entering the world of cultivation, Brandon Jiang thought he was stepping onto the path of immortality, but little did he know, he was actually walking a path of death!An immortal once said, “If you are not at the dining table, then you are inevitably on the dining table.”Humans are the spirits of all living things, endowed with natural dao embryos and the great medicine of heaven and earth.In this world of cultivation, only by absorbing others' abilities and fortunes can one cultivate!Therefore, mortals are raised as Sacrificial Furnaces.If you don't absorb others, others will absorb you.Brandon Jiang is unwilling to become a Sacrificial Furnace, nor does he want to commit heinous acts.Until the fairy who loved him died in his arms, Brandon Jiang was driven completely mad.Many years later, when Brandon Jiang looked back, he realized that he had become the most ruthless demon in the world.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.