Die. Respawn. Repeat. - Chapter 143: Book 3: Reboot

Arthur is an Atelier who works under pressure. When the curse of the Succubus activates his Netori System, Arthur is unable to resist his desire to win a woman's loyalty. There is no other reason for him to test a woman's loyalty that is easily shaken when his Netori System is activated.

With his engagement at hand, the most terrifying and legendary person of the legal world, Fu Huai’an, returns with a son.

Before the engagement…

He asks, “Since you love Wen Moshen, why are you in my bed?”
She says, “Because I cannot watch idly as Wen Moshen’s woman enters an engagement with you.”

With a cigarette in Fu Huai’an’s mouth, he crosses his legs. Across the light cloud of smoke, he squints his eyes—watching as Lin Nuan’s slim arms wrap around his neck; he feels stirred.

So a person can love another so passionately.

“You call what you did a kiss?”
“…”
“What a pure lady!”

Fu Huai’an spews out a cloud of smoke and snuffs out the cigarette. With a mellow voice, he says, “Let me teach you what kissing is!”

But, what he teaches Lin Nuan doesn’t seem to be only a kiss…

- Description from Novelupdates

Nikola Tesla, the genius, a man who lost everything to balant capitalism and betrayal, awakens to find himself reborn as an orphan. What is this world? Why is he here? And will he once again fall for the capitalistic betrayal or pave his own way? What would happen if his genius adapts to cunningness of the society?

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.