Douluo: If You Cut Me, You Will Lose the Treasure, Bibi Dong is Addicted - Chapter 71: Bibidong’s mentality has collapsed after a beauty trick she has fought and failed repeatedly.【

The readers of this harsh world had no interest in the villain’s story. But why didn’t they know? It was also the era of random possession meta.

Of the ancient gods only one remained in the world. This god lived alone for thousands of years and no longer had any desires. Legend had it that during the great war between the worlds he used his powers to turn the tide managing to seal the cataclysmic rift bringing order back into the three realms. Time flew by and hundreds of years passed in the blink of an eye.

Once upon a time-travel leap, Mu Caiwei, the gold-medal bodyguard, turned into a poor peasant girl, Mu Caiwei, who starved to death.With nothing to their name, and an empty rice vat, facing a skinny, malnourished mother and a bunch of hungry younger siblings, Mu Caiwei rolled up her sleeves and shouted, “Sister's going to get rich!”Although she had followed a proud and aloof path in her past life, times were now different.At the small stall, Mu Caiwei donned an apron, zealously crying out, “Fried skewers, fried skewers, all kinds of fried skewers…”In the fabric store, Mu Caiwei expertly worked the abacus, “This Q version of damask should be sold for fifty taels of silver a piece…”……Soon, the people of the Great Jin Nation knew that the richest person in the Great Jin was not only a stunning, young girl, but also a generous and philanthropic individual!Mu Caiwei couldn't dream that she received a miracle — a magical space, by simply carrying out a few random acts of charity!She also received an extremely “embarrassing” — predestined marriage!In a nutshell: The stunning transition from poverty-stricken peasant girl to Empress!I'm not good with summaries, so please move on to the main text.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.