Fortunate Life of the Rural Beauty - Chapter 15 - 14: Explanation

Being a nobody from a poor district of the Federation, Nick is a sixteen year old boy just trying to find his place in the world. When he finally gets his shot to enter the Beast Domain upon turning sixteen, he jumps at the opportunity to finally make something of himself — to carve out his own future.His goal? Survive. Hunt. Earn enough money to finally support his little sister back home and bring them out of poverty.But to a naïve young boy like Nick, the world is far more sinister than it seems — leaving him no choice but to adapt or die.To a poor young man like Nick, though, there was only one choice he could make.Follow Nick as he navigates these obstacles and carves out a future for himself and his sister, all while uncovering the various mysteries that shroud his worldview in darkness.

I’m a policeman, we took over the crime scene, and all the idlers and other people flashed!

Are you a detective? Do you have a formal license? Is it part of the police system? May I list you as a suspect?

Detective? Sorry didn’t hear it.

You want to reason? I’m sorry I’m not interested, but I’m standing there watching us handle the case!

Hey! Don’t move around at the crime scene, it’s you, that kid over there!

——New scum, listen to the teaching

- Description from novelbuddy

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.