Hagakure Sakura Does Not Lament - Chapter 82

In a world dotted with World Entrances to a demon world, demons have invaded humans for centuries. Humanity has united and one of the most ancient sects in the world, the Archean Mountain Sect, has set up an entire education system in the form of Dao Academies and defenses at the World Entrances.

In the world of dragons and snakes, the talented but congenitally sick martial arts master was reborn as the sole heir of the 19th-century Canadian manor owner. He thought he would make money by practicing boxing, but he took advantage of the industrial revolution to become a giant of the times. The opened template.

In the end, the original owner was a hopelessly sick and consumptive ghost! I am still a bastard having an affair with a gardener…

Wait, what’s up with the claw?

James Howlett looked at the bone claws protruding from between his fingers, and became more and more worried about his future.

- Description from novelbuddy

Merged into the body of External Disciple Chen Yu was the heart of a demonic god.The heart is the core of life, the most fragile vital organ. To Chen Yu, however, the heart was his greatest strength, granting him power and potential beyond demonic and divine beasts. Here on out, we follow him as he embarks on a mysterious and wonderful journey.

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.