How can I have a heart of a demonic god in my body?! - Chapter 14 - 00 Copper Statue Technique

System: You are now a lowly male supporting role, a passerby who wants to go offline at any time, please keep secretly and grow vulgarly.
Shi Yan: Very good, thank you for your suggestion.
The first world: Shi Yan, as a little prince born in a cold palace, made himself an emperor.
The original male and female protagonists, under his witness, became grudge couples.
The second world: Shi Yan, as the youngest son of the princess who died tragically, made himself a powerful minister over ten thousand people.
The original male and female protagonists, under his witness, became grudge couples.
The nth world: Shi Yan, as a genius in the world of comprehension, has made himself the number one powerhouse in the Three Realms.
The original male and female protagonists, under his witness, became grudge couples.
The system feels that something is wrong.
Shi Yan instead persuaded him: Let the male and female protagonists come together in the end no matter what the circumstances are, isn’t it the self-cultivation of the tool man and the male partner?

Content tags: Kuaichuan Shuangwen Metaphysics
Search keywords: Protagonist: Shi Yan ┃ Supporting role: ┃ Others:
One sentence introduction: The male partner is beautiful alone
Purpose: strong heart, unmoved by wind and rain

- Description from novelbuddy

Gu Nianshen had thought all along that he was raped by an older lady five years ago when he got really drunk at a nightclub. When he met a child who resembled him and Lin Yiqian, he carried the child in his arms.

The world is full of mysteries. Strange, seemingly unexplainable events occur more often than we may realize. A young boy may catch an illness no doctor can explain. An office may catch fire for no apparent reason. And perhaps, someone may die a sudden and unexpected death – their bodies blighted beyond recognition.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.