How to Live as a Knight After the Ending - Chapter 208: The Masked Man (1)

With A Tale of Blades & Blood, the world of Avalion takes shape in the form of an all too familiar world. Filled with morals either clear or grey, war is inevitable while peace never lasts. Fifteen centuries of watchful peace and subtle tension have finally boiled, and the conflict rises once more, now filled with more bloodshed than ever before.Beyond the mountains of the Nortenhein, the Weslands arm themselves to take back their lands and bring forth to the south and the east A Bloody Winter. To the east, over hills and through forests of old and past the waters of the Red River, The East Plains stand tall with the Spire as its center, ready to fulfill their Dream of Vengeance. Deep in the south where the cities stand and to the west where the walls never crumble, steel meets steel as brother fights brother in A Dance of Fire and Swords.Witness the adventures of Orevian Ballister, Norien Ravenhan, Forien Strix, and Loran Aelond as they face battles of wits, blades, honor, glory, and tragedy in a story that shall never be forgotten:A Tale of Blades & Blood.

“I was scared!” she cried, interrupting him. “You're a married man, you have a wife now, and I didn't want to ruin that. I didn't know how you'd react. And I didn't want my children… our children… to be caught in the middle of more pain.”He looked at her in shock, breath caught in his throat. “You just said… our daughter earlier,” he said slowly.Yes,“ she answered. Jasmine and Hanith. They're yours.”Aaron's breath hitched, stumbled back a step, staring at her like he was seeing her for the first time again.“You told me they weren't mine,” he whispered.“I lied,” she admitted. “Because I was scared. I wanted to protect them. I thought if you knew, you'd take them away. And I also thought you wouldn't want them because you are married now.”“Five years,” he murmured, his voice barely audible. “I had children... and never knew.” He clenched his jaw, struggling to process everything.“They are your children,” she said softly. “And now your daughter needs you.”~**~A single mother, Katherine Prescott was the perfect definition of a B3 classy lady—beautiful, brainy, and brave. She worked her ass off to ensure her children never lacked, building a name for herself while running from the unwanted attachment of the past.But when the past she thought she'd left behind the day she fled with her babies came crashing against the walls she'd built—six years later—everything she buried resurfaced.What if the forgotten spark and desires kept pulling her back into the very past she wanted to forget? What if her babies wouldn't stop asking about their father? Can she really give him a second chance at love… and risk losing herself to passion again?Aaron Knight was a celebrity. He never believed he'd see her again. But there she was—still breathtaking, still beautiful as ever. He wasn't letting her go this time. He would get her back, by hook or by crook.Two problems: he was married… and she was already a mother.

Abandoned at birth and raised in an orphanage, a young man endures twenty-five years confined to a body ravaged by a rare genetic disease that kept him in constant pain and left him bedridden in his final years. His life ends quietly, without fanfare, as the flatline echoes through his lonely room.But death isn’t the end.Awakening in a realm of pure nothingness, he’s offered the one thing life never gave him: a second chance, and with it, a system shaped from his deepest desires.Given the opportunity to be reborn with the potential to become the Greatest of All Time in any field, his decision is instant. He chooses Formula 1, the one passion that kept him going during his darkest hours.Armed with a custom-built system, a new life, and the relentless drive of someone who has truly suffered, he is reborn in 2003. This time, he won’t just watch from the sidelines.Disclaimer: All characters and events in this story are purely fictional and have no association with real individuals, organizations, or historical events. Any resemblance to real-life figures is purely coincidental and used for narrative realism.