PREVIEW

... s it to stick to the character’s identity as a Korean-American?

Or is it an unconscious admission that he himself is incomplete?

A scene with unclear intent plays out.

Onscreen, Kim Donghu caresses the body of a ballerina on TV.

His eyes, glinting with murderous desire, appear once more.

The woman’s face isn’t shown.

Even her body remains obscured.

What’s visible are pink pointe shoes.

A floor wiped spotless and a white barre gleami ...

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