Monroe - Chapter Four Hundred and Sixteen. Time to put in the work.

Shu Ya-wang is a 28-yr-old landscape architect who is born into a military family. When she was 16 years old, Yawang’s father asked her to take care of 10-yr-old Xia Shu.

Xia Shu had experienced death during his childhood. He stayed by the body of his dead mother for the whole night. This caused Xia Shu to become withdrawn from the rest of the world. Over time, the warm-hearted Ya-wang slowly got through to Xia Shu.

Ya-wang’s childhood good friend Tang Xiao-tian got enlisted into the army after high school, and she later at the university got to know Qu Wei-ran a classmate who eventually turned into a foe. From then on, the lives of Ya-wang, Xia Shu and Tang Xiao-tian, three of them changed dramatically.

Transmigrated into a xuanhuan Patriarch, this novel portrays the xuanhuan world as realistically as possible from the perspective of the Wang clan.There’s planting spiritual fields, raising spiritual fish, and the comprehensive development of various family industries. The Patriarch also raises salted fish elders (people who have no intention of doing anything) to become ancestors who assumed roles of protective umbrellas while inspiring his juniors to brave The Holy Land Palace of Learning in order to excel.Transmigrated into a xuanhuan Patriarch, this novel portrays the xuanhuan world as realistically as possible from the perspective of the Wang clan.There’s planting spiritual fields, raising spiritual fish, and the comprehensive development of various family industries. The Patriarch also raises salted fish elders (people who have no intention of doing anything) to become ancestors who assumed roles of protective umbrellas while inspiring his juniors to brave The Holy Land Palace of Learning in order to excel.

My name is Ye Yong, and I’m panicking right now. I was just reading a novel and accidentally got hit by my phone and I transmigrated and became a villain.

Right now, every day, my thoughts are occupied with how to avoid the male lead and how to make the female protagonists fall for me.

I think and plan my actions carefully, and I make every move according to plan. However, the development seems to have gotten off track. The most obvious changes are the female protagonists, who became different than how they were in the novel. They-

Crap, I gotta run, talk to you later.

No family, no power, no inheritance — a thrice-lacking protagonist. Just how will the seed rise up from the mud?

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