MTL - Girl, I’ll Teach You Cultivation - Chapter 645 The world

The beauty and the taboo existing together.Unattainable and unacceptable.An existence only to be admired from afar.A hero of legends but a also a girl of tragedy.Shining like a star in the sky, all alone, forever…-But that’s too sad isn’t it?Our MC, an ordinary middle aged man, is an author that wrote books and after pouring 2 years of hard work in a book, his hardwork finally bore fruit as his book got the second prize in the regional awards.A fruit that he couldn't eat.Why?Because he along with hard work, he also poured his piss somewhere he shouldn't and died.Exactly how?Read the prologue, and you will find out~But of course, that's only the start, as the next time he woke up...He was in another world.

Lorelai is an unwanted princess; a puppet in the hands of the royal family.Born weak and raised loyal only to her kingdom, she has no real power and is constantly abused by both her stepmother and her son.Her value lies in one thing only––marriage. Thus, she is to marry Duke Kalder, an old but powerful and influential man whose previous wives have all gone missing under mysterious circumstances.That is until she meets him.Tall, dark, strong, mysterious, irresistible, seductive.The King of Lycans. The King of Beasts. The Gypsy King.One who was once a slave now controls the biggest and strongest, most feared kingdom of the continent. And for some reason, he has his eyes set only on Lorelai.Important note: this is a historical fantasy novel and in its context, the word “Gypsy” is only used as a name of a nomad tribe and is not used as a slur.

500 years ago, Chen Xi was devoured by a crack in the void and was transported into a cultivation world.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.