MTL - I Became the King of Villains In the Game - Chapter 2 panel

This is a rebirth story of a normal girl, Kylie. She was a normal girl, living a normal life. Married and had kids. Nothing outstanding about her, but nothing terrible either. Then she was attacked and left to die.

Her soul screamed in pain at having to leave behind two small children that needed her, yet she couldn't do anything. As she entered eternal darkness ... it took her some time to realise that she was not dead. She was alive, only yet to be born.

And she was a boy.

The protagonist, Winnie (文尼), confesses his love to his childhood friend—the princess he’s been secretly in love with for years—but is brutally rejected in public. His heart shatters, he’s humiliated and ridiculed, and he collapses unconscious. When he wakes up, he vaguely remembers his past life’s memories and realizes he has transmigrated into the world of an otome game he played before. At first, he’s thrilled, thinking, “Nice! I must have been reincarnated as a villainous side character who disrupts the protagonist’s romance, right?” But then… surprise! He’s not just the villain—he’s the “Saintess”!

Qin Mian opened his eyes and found himself lying in a leaky thatched room. The problem was that he was still in his family’s villa beforehand! What’s more, there was another man lying next to his leg in the quilt!

“You, you, who are you?”

The man sat up quietly, his upper body exposed as looked at Qin Mian for a moment before he carried a worn out bowl with a cracked corner from the low table at the head of the bed. The man said in a muffled voice, “Wife, drink water.”

Qin Mian’s eyes rolled backwards and he passed out.

—
TN:
Title explanation: 勉为其男 [miǎn wéi qí nán] have the same sound as 勉为其难 [miǎn wéi qí nán] which means to do something reluctantly. 勉 [miǎn] is also part of MC’s name: Qin Mian.  Also, 其[qí ] sounds the same as 妻 [qi] means wife. So, there are words plays. Basically, Qin Mian reluctantly becomes someone’s man [wife] after he transmigrated.

Lin Qing He transmigrated into a novel and became one of its cannon fodders. The novel’s background is non-viable 1960s, a time of want to eat but nothing to eat and want to wear but nothing to wear.