MTL - She Shocked the World After Marrying a Repairman - Chapter 21 0: Not all the way

Sara Fujiharu, the cutest girl in the school, is also known as the 'Seatmate Bully'. Every few weeks, the class seating changes and every time, Fujiharu-san gets a new target. What's her goal? To make the boy sitting next to her fall in love, and once she does, she destroys their heart, crushing their love.

Why does she do this? I still don't know.

It's March 23rd, the day of the seating change. So far, ten boys have fallen for her traps, her playful attitude, her innocent face, not a single boy so far has managed to brush off her attacks-and every single time, their weak hearts have been crushed.

Now it's my turn.

However, my heart is not so easily played with.

A replica of Marquis Kieran Vale, the son of the Marchioness of Vale, who she deemed a failure. That was all she was. No, she was now referred to as “he.” At least until she met Claude Del Ihar.

The fallen Sky Knight was the sky's tears,and with altitude still at hand, he wouldn't give up,Blood and Fire and Iron descended from the heavens,Behold, the heavens were crying!The roaring soul was rising through the sky!!!

On an apparent normal Sunday, Luke suddenly woke up after hearing a voice warning him of something weird. After assuming that it was just a bizarre dream, he felt an earthquake that nearly destroyed his dormitory. As if things weren't odd enough, a zombie suddenly appears in his room and targets him.Somehow, Luke survived several encounters against the zombies thanks to his skill Weapon Augmentation, but then he suddenly finds a mini-sized elf and a mini-sized dark elf telling him that they want to help.After a stranger offer, Luke learns that something very big is happening with the planet, and now he will have to find the strength to fight against zombies and all kinds of weird creatures that want his neck... he will do all that while avoiding being tempted by those two very suspicious elves.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.