MTL - The King’s Avatar - Chapter 1677 Knocking on the mountain

He was on his way to buy some beer to celebrate his acceptance as a civil servant when he was suddenly isekai’d by truck-kun.

Getting abandoned after a revolution is this game’s ending, so why should I do it?Do your own revolution. I’ll live my own life.

Genius prodigy ​Ji Yu married the icy ​CEO Gu Yan out of gratitude, assuming their union was a temporary transaction. Wrong. While she breezed through their sham marriage, Gu Yan—her “husband-in-name-only”—quietly rewrote the rules.Post-divorce, Ji Yu thrives: clubbing with models, sipping champagne, and flaunting her freedom. ​Post-divorce, Gu Yan implodes: stalking her parties, hijacking her dates, and growling, “Try replacing me. I dare you.”But fate laughs at their feud. On the night their divorce is finalized, a reckless encounter ignites—hotter, messier, and utterly unforgettable. Now Gu Yan, the once-detached tycoon, is addicted to the wife he never truly let go.“Marry me again. Legally. Shamelessly. Forever.”“No. But thanks for the one-night souvenir, Mr. Ex.”

After a long time in the darkness, a lost soul is transported to another world, and there the soul is given another chance and is reborn as a boy...In a world of swords and magic, Zaos is given another chance after hearing an unknown voice asking him to protect someone. While he couldn't remember many things about his old life, he still decided to live his new as much as possible. Even though it looked like he was destined to do something, Zaos chose to follow his own path as much as possible.He tried that... but it looked like the machinations of destiny won't give him much option. Weird things were happening in the kingdom he was born, and before he could imagine... Zaos was throw in the middle of a war in which some were trying to revive the god of the world, and others were trying to prevent it. Zaos will fight in this war while he also looks for the person he is supposed to protect.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.