MTL - The Kung Fu Baby is Four Years Half and has 17 Pampering Brothers - Chapter 500 new cousin

When Simon dies, it turns out there's more to combat than lightning reflexes with his controller, and the path to becoming a hero is more brutal than he can imagine as he descends into The Pit. Death after Death is a dark, time loop/Isesaki story with roguelike elements, that explores some of the common tropes in a different light.

{System Online} {System Activating} {System Activation Complete.} {User Detected: Jake Lucas.} * {Main Quest: Grow strong enough to defeat your foes.} *{Warning: Darkness Approaches. No One Is Safe.}* 200 years ago, humanity almost faced extinction at the hands of the werewolves. The world survived, but the cost was unimaginable. Victory was hard-earned—and the price paid is still unknown. After seeing the war wasn’t heading anywhere, the werewolves receded to grow their strength while letting the humans recover. Now, sixteen-year-old Jake Lucas is thrust into a battle he never wanted. Weak, outcast, and haunted by his parents’ brutal deaths, Jake is just trying to survive at Aurora Academy. But when a strange orb activates the Slayer System, everything changes. Quests, skills, and powers that could make him stronger than he ever dreamed. But power comes with a price. With each new level, Jake uncovers dark secrets—about the werewolves, the academy, and the shadows lurking beneath them all. The world is more dangerous than he imagined, and a hidden force is stirring, ready to rise once again. Jake’s only hope lies in mastering the Slayer System—but as the stakes grow higher, he’ll learn the real question isn’t how strong he can become, but *how far he’s willing to go* to stop an ancient evil from being unleashed. **But the system has a final warning: Jake isn’t the only one unlocking power. And the clock is ticking.**

Gu Qingmo began to disguise herself as a man because of a word from her master.

Later, because of the words of my brother, I tried not to open my mouth if I could.

Later, I don’t know why the whole cultivation world is talking about the old master of Wanjianzong, the closed disciple of Xiaoyao Sanren, who is cold-hearted, taciturn, self-restrained and respectful, and who cultivates the ruthless way.

Mo Chuli thought so until she died in her hands.

However, since he was reborn and accepted as a disciple by Gu Qingmo, he discovered that——

Well said, cold hearted! taciturn! Self-denial!

It’s all an illusion!

Small snippet:

The day before Gu Qingmo was going to take Mo Chuli out for a training session, the headmaster made a special trip to Jianfeng and said to Mo Chuli, “Chuli, my uncle told you that if your master wants to go out in the future, you will definitely to follow.”

Mo Chuli: “Sect Master, why is this?”

Liu Qingbai: “Your master’s words are easy to offend people, so you have to keep an eye on it.”

Mo Chuli: “…”

[Woman pretending to be a man to decorate the real world’s first upright and paralyzed heroine × Seizing the house after her death was accepted by the heroine as an apprentice and the former Demon Lord hero]

ps: The female protagonist has a ceiling level of combat power, and the male protagonist is a growth type

- Description from novelbuddy

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.