Multiverse: Deathstroke - Chapter 44: Talia’s Secret

“Married rich for three years with no child born. Just when she was finally cured of infertility and ready to give him a child, he brought home his pregnant mistress in high profile.

“I believe that if you have a problem, we just need to solve it with firepower. If the problem isn't solved by then, it just means we weren't using enough firepower.”In a world of swords and magic, Lucen Thornehart, the eldest son of the Iron Duke, was considered the shame of the noble knight bloodline. No talent, weak, and worthless.Until one day, when a fever awoke his previous life's memories and the knowledge of the class from an old game he used to play, Gun Mage.More than just guns, he creates weapons that have never been created in this life and the last.A sword that heats up, turns crimson, and could melt metal.A rune-engraved gun that mages use to amplify their spells.A giant sword that you would only once see in a video game, which makes an explosion every time it hits an enemy.A gun that is powered by mana and shoots out condensed amounts of mana.Airships, steam trains, and boats.Lucen Thornehart isn’t here to play fair. He’s here to redefine warfare, with overwhelming firepower.

Blayn transmigrates into the world of Akame ga Kill and obtains the Mangekyō Sharingan—Kamui! Not just one, but both Kamui!

George Sterling, once a successful lawyer turned actor, then turned magician, finds himself in dire straits as the rise of Artificial Intelligence takes away all his livelihoods. As he nears the end of his life, a family heirloom, a mysterious ring passed down from his father, transports him to an unfamiliar world seemingly distant from reality.

Upon awakening, George discovers a newfound opportunity that awaits him. Initially tasked with portraying the Wizard of Oz to survive, he delves into this new role. However, as he embraces his new identity, an even greater challenge lies ahead: he must venture into the realm of pretending to be a god.

This book uses characters and elements from L. Frank Baum's original Oz series which has entered the public domain and allows me to use them in my original book as long as I do not use the characters and elements from the adaptations that haven't entered the public domain.

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