Ningning is Not a Trouble-Maker! - Chapter 26

Jian Heng, who lives in the United States, only wants to make enough money and return to China to retire happily. Unfortunately, by accident, he becomes a poor rancher!

Fortunately, he has an unknown cheat. From then on, Jian Heng started to run his own small ranch, and at the same time added some private goods, so that the group of American guests who came to the ranch adapted to the self-created Chinese style’ There are forceful living habits.

The new book “Small Peasants in the Great Era” is released, welcome everyone!

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The Supernatural era descended, the rules changed, mystery arrived, and the world altered. Countless ruins of civilization emerged, and an abundance of Heavenly Materials and Earthly Treasures lay at everyone’s fingertips. Radical faction, “This is the best of times, entering a new world, excavating relics, mass evolution!” Conservative, “This is the worst of times, with countless monsters outside, once you leave the Safe Zone, extinction awaits humanity!” … Meanwhile, at a remote ruin, Lu Yuan successfully discovered new treasures and sought after the mysterious wealth, desperately trying to contact his fellow Earthlings. “Found a communicator, can it get through?” “Hey, humans—I’m almost becoming a god, and you’re still hiding in the Safe Zone?”

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.