The Duke's Passion - Chapter 146 - The Uncrowned King

He was very happy to be reborn, but why was he sixteen again, he can’t bear to look back at that time.

Why does he return to being sixteen years old, yet still meet Doomsday?

It’s alright to encounter the end of the world, so why did he have to fall in love with someone?

Even if he falls in love with another person, why did it have to be a man?

Falling in love with a man is also alright, so why did it need to be a secret one-sided love?

Even a secret and unrequited love is alright, so why is that man his….

- Description from Novelupdates

Thiago has nothing—no money, no connections, not even shoes.Just raw talent, a dream, and a strange System only he can see.From the streets of Rio to the world stage, this is the story of a boy who plays to survive—and fights to rise.

An Extra is a minor background character with little to no influence on the main story. Their purpose is to fill out scenes and represent the larger world in which the story takes place.Yet,One Extra defied its existence. One Extra destroyed the story.********Luke, an editor, was transmigrated into the story with one goal:“Kill The Extra.”

On an apparent normal Sunday, Luke suddenly woke up after hearing a voice warning him of something weird. After assuming that it was just a bizarre dream, he felt an earthquake that nearly destroyed his dormitory. As if things weren't odd enough, a zombie suddenly appears in his room and targets him.Somehow, Luke survived several encounters against the zombies thanks to his skill Weapon Augmentation, but then he suddenly finds a mini-sized elf and a mini-sized dark elf telling him that they want to help.After a stranger offer, Luke learns that something very big is happening with the planet, and now he will have to find the strength to fight against zombies and all kinds of weird creatures that want his neck... he will do all that while avoiding being tempted by those two very suspicious elves.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.