The Extra Can't be A Hero - Chapter 12: Yue Elune (3)

"There was a time in my life where I struggled to breathe. A time where I felt suffocated everyday, but then I met you."

-Turning the gears of fate.

A drop of ink can penetrate the walls, even the walls you took too long to build.

After losing her first love due to a traffic accident, Ibuki Sumire transfers to Tokyo. She wanted to escape, to run away from everything that happened. To start over in a place that didn't have him. But a series of clues lead her to investigating the case behind the accident.

In that place she learns about the masks people wear. The masks people wear to disgui se their feelings. Sometimes you have to look past what you see on the surface.

There she meets him, the person who helps her move forward. But Sumire quickly learns how alike they are. His cold personality is different than the kindness she is used to. However, he is the only one who understands her feelings.

It keeps going around in circles, like a drop of paint. Round and round - an endless stream of pain and lies. But, that stream ended the moment she laid her eyes on his paintings.

Such rich and vibrant colors, it felt like his emotions exploded. Yet, in the corner of his studio, she found it. The real him, a sakura painting of two people walking hand in hand.

A gentle and sweet feeling, something she has never felt before.

[Commissioned Cover by: Vatarison]

While enjoying the favor of a handsome man, she learned that her country was ruined and her family was destroyed. What should a fallen princess do?Xiang Ying says, of course, she should use space to her advantage, empty the palace, and leave nothing for the enemy army!As the captain of a post-apocalyptic infrastructure team, she was thrown into a book by an explosion.The enemy army entered the palace, famine was impending, and she was encircled as a prisoner of war, taking care of three children.Such a catastrophic beginning made Xiang Ying exclaim, the good days are coming!Compared to the post-apocalypse, what is this?On the road to exile, while others suffered, she enjoyed melons. When everyone else was munching on dry bread, Xiang Ying and her children were savoring sumptuous meals.Everyone grew thinner, except for the three children who remained plump and cheerful, patting their bellies and saying wildly: Mother, we can’t eat any more, really!Xiang Ying, holding hot pot, milk tea, and roast chicken, enjoyed the scenery along the road, hoarding supplies as they fled, making life more flavorful.The villainess mocked her: What use is only having food? You're still a conquered slave!Xiang Ying pulled out the Imperial Jade Seal: Right, from today onwards, I will be the Empress.The enemy army was dumbfounded; she never said the thirty thousand wanderers she brought were elite troops!On the day Xiang Ying restored her country, the man who accompanied her through hardships held her hand.Jie Chen: For the sake of our three children, can we finally become official?Xiang Ying: Men should keep to their places, not seek a title.Jie Chen: ...With the country as my betrothal, my Jade Seal and my nation are all yours.Xiang Ying: Deal! Tonight's our wedding night!

On an apparent normal Sunday, Luke suddenly woke up after hearing a voice warning him of something weird. After assuming that it was just a bizarre dream, he felt an earthquake that nearly destroyed his dormitory. As if things weren't odd enough, a zombie suddenly appears in his room and targets him.Somehow, Luke survived several encounters against the zombies thanks to his skill Weapon Augmentation, but then he suddenly finds a mini-sized elf and a mini-sized dark elf telling him that they want to help.After a stranger offer, Luke learns that something very big is happening with the planet, and now he will have to find the strength to fight against zombies and all kinds of weird creatures that want his neck... he will do all that while avoiding being tempted by those two very suspicious elves.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.