The Man's 101st Bad Ending - Chapter 42

Qiao Zhiya is a hybrid. Before he was born, his elf father wanted him to have a strong physique unique to dwarfs; his dwarf mother wanted him to have a tall body unique to elves. And then he was born, his features delicate and beautiful, his body weak and thin… his strength at the peak of the dwarfs!

Then he crossed. With his beloved little hammer, we walk along females-who-is-as-tall-as-he-is and male-who-is-a-head-taller-than-him-on-average future… blue, thin mushroom wants to go home.

Chu Rong: picked up a small dwarf who always wants to run away. Its cute, wanna drag home.

Qiao Zhiya: ??? Mama, there’s a pervert!

- Description from Novelupdates

I became a miserably weak aristocrat in the web novel ‘SSS-Class Knight’.

With a body that can drop at a moment’s notice, no less.

‘Let’s live for now. Let’s fight on.’

I have to survive, even without knowing the ending.

Ye Yang, the son of the Ye Family in Eight Desolate City, was once regarded as a genius. He could awaken his Dantian at the age of three and reach the third level of Qi Condensation at the age of five. But after a few years, He was seen as a person without talent because his cultivation was still stagnant at the age of 16. One day, He was framed and kept in a coma after he was rescued.

Ye Yang was originally an instructor in a special troop. He was 21 years old and sacrificed his life to protect an unknown broken sword which was found on Everest. When he woke up, he became Ye Yang from the Eight Desolate City, unexpectedly obtained the recognition of the broken sword and learned the mysterious cultivation method “God Slaughtering Technique”. He then embarked on a path of cultivating through slaughter.

When he was reborn, he swore, “I won’t let those who offended me off.” He wanted to reach the peak step by step, and also carried the mission to uncover the secret behind the Nine Heavens Mysterious Sword.

- Description from Novelupdates

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.