Vampire's Veil Of Obsession - Chapter 51: Black Flowers

[Fireworks in the world are the most soothing to the hearts of mortals!]

“There is no temple at the age of eighty-two,”

“Sixty-nine years of worry.”

“The world is hard,”

“Long life is not easy.”

“Yin and Yang are reversed in a dream, and in the next life… I beg!”

【Name】: Lu Chen

[Identity]: Master of Changchun Temple

【Repair】: None

[Cultivation method]: Immortal Changchun Kung Fu (can be upgraded!) +

[Spell]: Control swordsmanship (upgrade conditions can be expanded!)

“Expand!”

“upgrade!”

……………………………..

PS: Upgrade, relax, cultivate immortals, demons, ghosts…

- Description from novelbuddy

The extraordinaire has disrupted the silence of the world and ever since then, technology has taken a different path.

When humans find a path for evolution in the dark, I’ll remove my ribs, burn my heart and burn the midnight oil to become their pioneer.

This is the process of a gamer manipulating the world.

Mini world of endless fun awaits.

- Description from Novelupdates

Jian Wushuang was reborn in adversity. In order to get his revenge, he began to cultivate Heavenly Creation Skill. With the help of the Heaven defying cultivation method, Jian Wushuang gradually grew into a peerless genius from an ordinary practitioner. With a sword in hand, no one is his match. Using his extraordinary Sword Principle, he killed all his opponents and eventually became number one Sword Master from time immemorial.

- Description from Novelupdates

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.