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Next chapter: Chapter 66
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... ppiness] maximized the texture that can be expressed in oil paint, creating an effect as if chocolate was flowing down, and [Ravoux Lodger] created a cozy yet lonely atmosphere with intentionally collapsed perspective, bold omission, and simple expressions.

Among the many works, the most eye-catching work was the [Frost wheat field].

There were a lot of speculation about who would take it and how much it would be sold, and art lovers saw [Frost Wheat Field] throughout the exhibit ...

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He stalked towards her, chin low so the shadow cast by his hard jaw cut across the thick fur collar of his vest. His hair had fallen over his eyes in the scuffle, so he peered at her through it like a lion in the grass. With each step, his graceful, rolling gait reminded her of a predator stalking its prey. Despite the forest floor littered in twigs and leaves, he didn’t make a sound.

“Wh-who are you?” Elia stammered, backing away, her hands up. He met her step for step until she came up hard against the tree behind her—and didn’t stop until he loomed over her, so broad his shoulders and chest made a wall in front of her. She could feel the heat rising off his skin in the cool, night air.

“I am the Leonine King.” His voice was a dark, husky gravel. Behind him a chorus of wheezes, howls, and chirps of agreement rose from the people watching. “And you are?”

“Elia,” she breathed.

“Elia,” he growled, leaning in closer, bringing with him the scent of pine and rain and the musk of something distinctly male. “I am Reth.” He said the name with a strange, guttural roll in his throat. “I am King of Beasts. I am Clan Leader, and I am Alpha of WildWood.” Several snarls rose from the crowds behind him then, but he ignored them.

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