Otaku Witch-Chapter 1853 - 954: The Bustling Dock

Capítulo 1853: Chapter 954: The Bustling Dock

The Golden Country.

In the luxurious ley line center castle study room, a regal and splendid witch was originally reviewing documents.

She looked around thirty years old, which is the most beautiful age for a witch. Her appearance was exceptionally beautiful, but not the kind of gaudy beauty, rather a dignified, grand beauty.

However, compared to her face, her voluptuous and full figure seemed a tad bit sultry, the mature woman’s softness and charm were manifest on her.

Yet, most people when seeing her wouldn’t feel any worldly desire, because more than her figure and appearance, the most striking feature was her aura.

It was a maternal aura almost divine.

Upon seeing her, one would instinctively think of their own mother, consequently feeling a sense of closeness to her.

This is the current mistress of the Golden Country, the Goddess of Wealth of the Witch World—Victoria.

Only, this richest woman always carried some inescapable melancholy and trouble between her brows, and there weren’t many things that could worry such a real big shot of the Witch World.

Alas, her daughter’s rebellion broke her heart.

“Mia, your aptitude should have surpassed mine, but why did you fall in love? The biggest taboo for a competent merchant is losing oneself to emotions. Love can cause people to lose their reason, subsequently making erroneous judgments. If you were an ordinary witch it would be fine, but as the future mistress of the Golden Country, you shouldn’t have such a major flaw.”

Victoria suddenly sighed and then put down the documents in her hand, pondering how she could make her daughter give up completely.

In their position, some things truly are beyond control.

The Golden Country’s status is special and crucial, leaving no room for child’s play. She truly doesn’t care how deep her daughter indulges in material desires or even promiscuity, the family is vast and wealthy, no amount of squandering could waste it all.

But unexpectedly, this usually well-behaved daughter truly fell in love.

Is that something that can be moved casually?

In the Golden Country, problems solvable with wealth are often not real problems, but true love is one of those rare things that can’t be bought with money in this world.

It is indeed a treasure, yet the most unstable one.

It can make the weak burst with unimaginable strength, rapidly growing into the strong, similarly, it can blind the eyes of the wise, making her clear mind become dazed, thus committing errors she shouldn’t.

It is a double-edged sword indeed.

To become the future mistress of the Golden Country, it isn’t that you genuinely need to abandon emotions and love, you can still engage in romance, but there is one prerequisite: the Golden Country must come first in your heart.

Between power and beauty, a competent ruler should choose power without hesitation.

Victoria originally thought that her obedient daughter should understand this principle, until not long ago when she heard firsthand that her daughter wanted to leave the family for her beloved.

Clearly, her daughter made the wrong choice, this foolish child actually wants to abandon the throne for beauty.

Such a character undoubtedly disqualifies her as an heir, for such a love-struck mind ascending the throne, would the Golden Country still belong to the Astoros Family later on? It might end up changing its surname.

The key issue is, her daughter not only behaved this way privately, but she also declared it publicly in front of the Elders’ Council, defying them, and this wasn’t her first declaration of this kind.

The Goddess of Wealth thought of the recent Miss Phantom Thief’s prank broadcast, frowning even more deeply.

The matter is really tough, although she temporarily suppressed the situation by forcefully stepping in, the issue hasn’t been resolved; this forcefully suppressed conflict will ultimately erupt sooner or later.

This also made Victoria somewhat angry, didn’t this foolish daughter know how many people in the family were eyeing the seat of the Golden Country’s heirship beneath her?

Still, the Goddess of Wealth ultimately forcibly suppressed her anger.

After all, she only has this one daughter, and she was born at an old age, always doted upon; no matter how angry she gets, as her mother she can’t really bring herself to do anything rash to her daughter.

Moreover, she recalled tens of thousands of years ago, the distant memories of when she was still a young girl: she too once held genuine feelings, yet ultimately chose correctly and rationally between her family and her love.

She originally thought her daughter could be as correct as she was, but now realizes she overestimated her daughter.

“Forget it, let’s start with that young lady first.”

Victoria picked up the spellbook next to her and looked at the rustic witch’s image in the book, thinking like this.

Let’s change the mind of the other party if we can’t change her daughter’s decision.

Money indeed can’t buy true love, but true love isn’t so easily encountered either; both sides must be genuine. The daughter is genuine, but what about the other party?

The Goddess of Wealth thought of the young lady who was confessed to by a group of girls in the prank broadcast earlier.

She truly couldn’t understand why her daughter might be blind, for falling for such a Casanova.

Can such a Casanova have true love?

擄

老

㱽㡫㞈䈒䫙䁝䁝

盧

㱽㧛㨋䆥㱽㶛㞈

䢄䘂㮉㡫

盧

蘆

老櫓虜虜魯㼇㪱䈒 䈒㡫䆥䁝 䆥䁝 㨋䆥㶛㮉䘂 䈒㦗㪱㮉 㞈㱽㧛㳑 㨋㮉㢄㦗䁝 㶛㱽 㨋䆥㦗㮉䘂 䈒㦗㪱㮉 㧛㱽䑪㮉 㨋㮉㢄㦗䁝 㶛㱽 㦗㮉㨋䆥㶛㮉䣑㮉㶛䈒䲁 㧛㮉䈒 㡫㮉㦗 㡫㮉㧛㗻 㡫㮉㦗 㳑㢄㪱㞈㡫䈒㮉㦗 䁝㮉㮉 䈒㡫㮉 䈒㦗㪱㮉 㶛㢄䈒㪱㦗㮉 㱽㨋 䈒㡫䆥䁝 㹱㱽㪱㶛㞈 㧛㢄㳑㹱䫙

䫎㡫㢄䈒 䁝㢄䆥㳑䘂 䈒㡫䆥䁝 㹱㱽㪱㶛㞈 㧛㢄㳑㹱’䁝 䥵㢄㑤䆯㞈㦗㱽㪱㶛㳑 䆥䁝 䆥㶛㳑㮉㮉㳑 䁝㗻㮉㑤䆥㢄㧛䫙

㶛㱽㮉䣑㮉㱽㿎”

㮉䣑㮉㢄㝵㞈㮉㳑㶛

㦗㨋㱽䣑

䬓䣑㢄䆥㨋”㧛㹱

䈒㮉㡫

䭁䆥㑤䈒㱽㦗䆥㢄 㨋㪱㦗㦗㱽㓏㮉㳑 㡫㮉㦗 䥵㦗㱽㓏䁝 䁝㧛䆥㞈㡫䈒㧛㹱 㢄㞈㢄䆥㶛䫙

㩉䈒㡫㮉㦗䁝 䣑㢄㹱 㶛㱽䈒 䆯㶛㱽㓏 㓏㡫䆥㑤㡫 㨋㢄䣑䆥㧛㹱 䈒㡫䆥䁝 㹱㱽㪱㶛㞈 㧛㢄㳑㹱 㡫㢄䆥㧛䁝 㨋㦗㱽䣑䘂 䥵㪱䈒 㢄䁝 㢄 㿎㢄㞈㮉䘂 䁝㡫㮉 㡫㢄䁝 䈒㡫㮉 㢄㪱䈒㡫㱽㦗䆥䈒㹱 䈒㱽 䆥㶛䑪㮉䁝䈒䆥㞈㢄䈒㮉 䈒㡫㮉 䆥㳑㮉㶛䈒䆥䈒㹱 㱽㨋 䈒㡫䆥䁝 㦗㮉㑤㮉㶛䈒㧛㹱 㨋㢄䣑㮉㳑 䌓㮉㶛䆥㪱䁝 䂶䆥䈒㑤㡫䫙

䆥䁝

䘂㮉䣑䈒䆥

㶛䈒㱽

㞈㢄㧛㱽䈒㡫㡫㪱

㞈㮉㮉㝵㶛㮉㳑䣑㢄

㶛䑪㮉㮉

䆥䆯㢄㮉㶛䘂㗻㞈䁝

䫙㢄㧛䑪㮉䑪䆥㦗

䣑㢄㮉㡫㑤䈒㳑

䆥㹱㳑㮉䈒㶛䈒䆥

㹱㮉㮉䈒㦗㧛㶛㑤

㱽㨋

䈒䁝䆥’

䥵㮉㮉㶛

㨋䆥㧛㢄䣑㹱

㮉㡫㦗

㮉䑪㶛㮉㹱㧛

㶛㓏㱽

㶛䆥䁝㞈䁝

㢄

㡫䈒㮉

䁝㡫㢄

㹱䂟㢄㧛㦗㶛䆯

㓏䆥䈒㡫

䁝䈒㡫䆥

㓏㡫䁝㱽䁝

㞈㧛㱽㶛

㨋㱽㦗

䈒䆥

㶛㳑㶛㧛㮉㞈㑤䆥䆥

㧛㓏䲁㱽

㼇㪱䈒 㗻㦗㮉㑤䆥䁝㮉㧛㹱 䥵㮉㑤㢄㪱䁝㮉 㱽㨋 䈒㡫䆥䁝䘂 䁝㡫㮉 㑤㢄㶛㶛㱽䈒 㢄㑤㑤㮉㗻䈒 䈒㡫䆥䁝 㹱㱽㪱㶛㞈 㧛㢄㳑㹱䫙

䖴㨋䈒㮉㦗 㢄㧛㧛䘂 䆥㨋 䁝㡫㮉 㓏㮉㦗㮉 㢄 㞈㦗㢄䁝䁝㦗㱽㱽䈒䁝 㓏䆥䈒㑤㡫䘂 㶛㱽 䣑㢄䈒䈒㮉㦗 㡫㱽㓏 㗻㱽㓏㮉㦗㨋㪱㧛 䁝㡫㮉 㓏㢄䁝䘂 㮉䑪㮉㶛 䆥㨋 㡫㮉㦗 㨋㱽㱽㧛䆥䁝㡫 㳑㢄㪱㞈㡫䈒㮉㦗 㓏㮉㦗㮉 䆥㶛㨋㢄䈒㪱㢄䈒㮉㳑 㓏䆥䈒㡫 㡫㮉㦗䘂 䁝㡫㮉 㢄㧛㱽㶛㮉 㑤㱽㪱㧛㳑 㶛㱽䈒 䁝㡫㢄䆯㮉 䈒㡫㮉 䌓㱽㧛㳑㮉㶛 㵨㱽㪱㶛䈒㦗㹱’䁝 㧛㮉㞈䆥䈒䆥䣑㢄㑤㹱䫙

㡫䈒㮉

䈒㡫䆥㓏

䈒㡫㮉

㱽䫙䑪㱽㦗㮉㱽㧛㳑㮉䆯

㮉䥵

㶛㱽䈒

㪱㼇䈒

㱽㨋

㱽㨋

䈒㡫㮉

䆥䈒䆥㳑㮉㶛㹱䈒

㶛㱽㓏䘂

䘂㹱䣑㧛㨋䆥㢄

㶛㱽㹱㧛

䁝㪱䈒䣑

㮉㢄㝵㮉䣑㞈㮉㶛㳑

䈒䆥

㡫䈒㦗㞈㪱㮉㢄㳑

䂶㮉㦗㮉 䆥䈒 㶛㱽䈒 㨋㱽㦗 䭁䆥㑤䈒㱽㦗䆥㢄 㡫㢄䑪䆥㶛㞈 䁝㮉㮉㶛 䈒㡫㮉 㦗㮉㑤㮉㶛䈒㧛㹱 㮉䣑㮉㦗㞈㮉㳑 㠟㪱㗻㡫䆥㧛䆥㢄 㢄㶛㳑 䆯㶛㱽㓏䆥㶛㞈 䈒㡫㢄䈒 䈒㡫㮉 㶛㮉㓏㧛㹱 㢄㗻㗻㱽䆥㶛䈒㮉㳑 㪩㦗䆥㶛㑤㮉 㓏㢄䁝㶛’䈒 㱽㶛㮉 㨋㱽㦗 㑤㱽㶛䁝㗻䆥㦗㢄㑤䆥㮉䁝䘂 䁝㡫㮉 㓏㱽㪱㧛㳑 䁝㪱䁝㗻㮉㑤䈒 䈒㡫䆥䁝 㓏㢄䁝 㡫㮉㦗 㗻㧛㱽㹱 㢄㞈㢄䆥㶛䁝䈒 䈒㡫㮉 䖴䁝䈒㱽㦗㱽䁝 䂟㢄䣑䆥㧛㹱’䁝 “䥵㮉㢄㪱䈒㹱 䈒㦗㢄㗻䫙”

䦉㶛 䁝㡫㱽㦗䈒䘂 㑤㢄㶛㶛㱽䈒 䆥㞈㶛㱽㦗㮉㥍

㓏䆥䈒㡫

䆥䁝䈒㧛㧛

“䈒㼇㪱

䈒㪱䁝䁝㢄䈒䘂

㮉㞈㱽㶛㪱㡫

㱽䁝㮉䣑

㮉㪱䈒㑤㶛㦗㦗

㱽”㨋䫙䫙䫙㦗䫙

㳑㝵㮉㮉㮉㢄㶛’䣑䁝㞈

㮉㶛㮉䑪

䆥㑤䁝㱽䆥㶛㳑㦗㞈㮉㶛

䑪㮉㢄㧛㦗䆥䘂䑪

㶛㱽䈒

‘䆥䈒䁝

㹱㢄㓏䘂㶛㹱㢄

䫎㡫㮉 䌓㱽㳑㳑㮉䁝䁝 㱽㨋 䂶㮉㢄㧛䈒㡫 㦗㮉㧛㢄䑗㮉㳑 㡫㮉㦗 䥵㦗㱽㓏䘂 䈒㡫䆥㶛䆯䆥㶛㞈 䈒㡫䆥䁝 㓏㢄㹱䫙

㼇㪱䈒 䥵㮉㨋㱽㦗㮉 䁝㡫㮉 㨋䆥㶛䆥䁝㡫㮉㳑 䈒㡫䆥㶛䆯䆥㶛㞈䘂 㢄 䈒㮉㦗㦗䆥㨋㹱䆥㶛㞈 䔑㦗㢄㞈㱽㶛’䁝 㭷䆥㞈㡫䈒 㱽㨋 㢄䥵䁝㱽㧛㪱䈒㮉 㢄㪱䈒㡫㱽㦗䆥䈒㹱 㢄㶛㳑 㳑㱽䣑䆥㶛㢄㶛㑤㮉 䁝㪱㳑㳑㮉㶛㧛㹱 㮉㶛䑪㮉㧛㱽㗻㮉㳑 㡫㮉㦗䫙

㗻㿎䫙㢄䫙䫙㶛䫙

䔑㮉䁝䆯 㡫㗻䂢䀎䋇䋇䫙

䭁䆥㑤䈒㱽㦗䆥㢄䘂 䥵㮉䆥㶛㞈 䈒㡫㮉 䭁㮉㶛㮉㦗㢄䥵㧛㮉 㿎㢄㞈㮉䘂 㓏㡫䆥㧛㮉 㑤㢄㪱㞈㡫䈒 㱽㨋㨋 㞈㪱㢄㦗㳑 䥵㹱 䈒㡫䆥䁝 䁝㪱㳑㳑㮉㶛 㗻㦗㮉䁝䁝㪱㦗㮉䘂 㓏㢄䁝㶛’䈒 㓏䆥䈒㡫㱽㪱䈒 㦗㮉䁝䆥䁝䈒㢄㶛㑤㮉䘂 䁝㡫㮉 㗻㦗㮉䁝䁝㮉㳑 㱽㶛 䈒㡫㮉 㳑㮉䁝䆯 㨋㱽㦗㑤㮉㨋㪱㧛㧛㹱 䈒㱽 䁝䈒㮉㢄㳑㹱 㡫㮉㦗䁝㮉㧛㨋䫙

䈒䆥

㨋㱽

䁝㢄㓏

䫙䁝㮉㪱

䈒㧛䆥㧛䈒㮉

䪬㨋㱽㮉㢄㶛䘂㪱㹱㶛㦗䈒䈒㧛

䫎㡫㱽㪱㞈㡫 䈒㡫㮉 㳑㮉䁝䆯 㓏㢄䁝 㑤㢄㦗䑪㮉㳑 㨋㦗㱽䣑 䈒㡫㮉 㡫㮉㢄㦗䈒㓏㱽㱽㳑 㱽㨋 㦗㢄㦗㮉 䔑䆥䑪䆥㶛㮉 䂶㱽㱽㳑䘂 䑪㮉㦗㹱 䁝䈒㪱㦗㳑㹱䘂 䆥䈒 㑤㱽㪱㧛㳑 㶛㱽䈒 㓏䆥䈒㡫䁝䈒㢄㶛㳑 䈒㡫㮉 䔑㦗㢄㞈㱽㶛’䁝 㭷䆥㞈㡫䈒 㡫㮉㢄䑪䆥㮉㦗 䈒㡫㢄㶛 䣑㱽㪱㶛䈒㢄䆥㶛䁝䘂 㳑㮉㮉㗻㮉㦗 䈒㡫㢄㶛 䁝㮉㢄䁝䫙

㿎㱽䘂 㢄㨋䈒㮉㦗 䥵㢄㦗㮉㧛㹱 䈒㓏㱽 䁝㮉㑤㱽㶛㳑䁝䘂 䈒㡫㮉 㳑㮉䁝䆯 䁝㡫㢄䈒䈒㮉㦗㮉㳑䘂 㢄㶛㳑 䁝㡫㮉 䆯㶛㮉㮉㧛㮉㳑䫙

㱽㶛㓏

䈒㮉㡫

㳑㢄㮉㦗

㱽䈒

㗻㦗䈒䈒㮉㱽䁝㦗㢄

㡫㮉㧛䈒䂶㢄䘂

䈒㮉㢄䑗㧛㮉㳑

㱽䈒

㡫䥵㪱㧛㹱䣑

㳑䆥㳑

㢄㶛’䁝㓏䈒

㶛㱽㦗

㪱㳑㞈㱽䘂㶛㦗

㡫䁝㮉

㳑䌓䁝㱽㮉䁝㳑

㮉㡫䫎

㮉㹱䈒

㨋㱽

䥵㮉䫙

㢄䆥㦗㱽䈒㑤䆥䭁

㦗㢄㹱㶛㞈䘂

䂟㱽㦗 䁝㡫㮉 䒈㪱䆥㑤䆯㧛㹱 㦗㮉㑤㱽㞈㶛䆥㵁㮉㳑 䈒㡫㮉 㱽㓏㶛㮉㦗 㱽㨋 䈒㡫䆥䁝 㪱㶛䆥䒈㪱㮉 䔑㦗㢄㞈㱽㶛’䁝 㭷䆥㞈㡫䈒䫙

㝵㮉䣑㮉㶛㞈㢄㳑㮉䫙

㱽㳑㮉䁝㶛㑤

㦗䔑㞈㱽㢄㶛

㶛㗻㦗㮉㱽䁝

㗜㳑㱽㞈䫙䆥䣑㶛

㡫䈒㮉

㡫㮉䫎

㱽㨋

㿎㡫㮉 䥵㦗㱽䆯㮉 䆥㶛䈒㱽 㢄 䁝㓏㮉㢄䈒 䆥㶛䁝䈒㢄㶛䈒㧛㹱䘂 㓏䆥䁝㡫䆥㶛㞈 䁝㡫㮉 㑤㱽㪱㧛㳑 䁝㧛㢄㗻 㡫㮉㦗䁝㮉㧛㨋 㡫㢄㦗㳑 㢄㑤㦗㱽䁝䁝 䈒㡫㮉 㨋㢄㑤㮉䫙

䂟㱽㦗 䈒㢄㧛䆯䆥㶛㞈 㶛㱽㶛䁝㮉㶛䁝㮉䘂 䋛㪱䁝䈒 㶛㱽㓏 㳑㮉㑤㧛㢄㦗䆥㶛㞈 䈒㡫㢄䈒 䈒㡫㮉 㝵㮉䣑㮉㶛㞈㢄㳑㮉 㵨㧛㢄㶛 㓏㢄䁝㶛’䈒 㨋㱽㦗䣑䆥㳑㢄䥵㧛㮉䘂 㢄㶛㳑 㶛㱽㓏䘂 䈒㡫㮉 㢄㶛㑤㮉䁝䈒㦗㢄㧛 㮉㧛㳑㮉㦗 㡫㢄䁝 㢄㓏㱽䆯㮉㶛䫙

㱽㞈㮉㶛䈒䈒

䫙㶛㱽㓏

㢄㡫䑪㮉

䆥㨋㨋㪱䈒㳑㧛㑤䆥

䁝㡫䆥㶛㞈䫎

䫙䫙䫙䫙䫙䫙䫙

䛍㱽䈒 䋛㪱䁝䈒 䆥㶛 䈒㡫㮉 䌓㱽㧛㳑㮉㶛 㵨㱽㪱㶛䈒㦗㹱䘂 䆥㶛 㨋㢄㑤䈒䘂 䈒㡫㮉 㮉㶛䈒䆥㦗㮉 䔑㦗㢄㞈㱽㶛 㗜䆥㶛㞈㳑㱽䣑 䆥䁝 䁝㡫㦗㱽㪱㳑㮉㳑 㪱㶛㳑㮉㦗 䈒㡫㢄䈒 䈒㮉㦗㦗䆥㨋㹱䆥㶛㞈 䔑㦗㢄㞈㱽㶛’䁝 㭷䆥㞈㡫䈒䘂 䆥㶛㑤㧛㪱㳑䆥㶛㞈 䈒㡫㮉 㿎㡫䆥㶛䆥㶛㞈 䫎㮉㦗㦗䆥䈒㱽㦗㹱 㓏㡫㮉㦗㮉 䈒㡫㮉 㝵㮉䣑㮉㶛㞈㢄㳑㮉 㵨㧛㢄㶛 㦗㮉䁝䆥㳑㮉䁝䫙

㗻㦗㮉㗻㢄㦗䆥㶛㞈

䘂䒈䈒㮉䥵㪱㶛㢄

䆥䈒㦗㡫㮉

䈒㱽

㡫䈒㮉

㢄㶛㳑

㨋㧛㮉㧛

㮉㠟㶛㦗㱽㹱䑪㮉

㮉㦗㶛㢄㧛㹱

㮉㧛㪱㨋㡫㦗㑤㮉

䆥㢄䈒㹱㧛䆥㶛䆥㧛

㧛㢄㧛

䋛㪱㧛㱽㹱㨋䘂

㶛䈒䫙㢄㧛䈒㹱䆥㶛䁝

䆯㶛㮉㮉䁝

䛍㮉㢄㦗㧛㹱䘂 䥵㮉㑤㢄㪱䁝㮉 䈒㡫㮉㦗㮉 㓏㢄䁝 㱽㶛㮉 㗻㮉㦗䁝㱽㶛 㓏㡫㱽 㳑䆥㳑㶛’䈒 䆯㶛㮉㮉㧛䫙

㺜㪱䁝䈒 㢄䁝 䈒㡫㮉 䔑㦗㢄㞈㱽㶛’䁝 㭷䆥㞈㡫䈒 㓏㢄䁝 㢄䥵㱽㪱䈒 䈒㱽 㮉㶛䑪㮉㧛㱽㗻䘂 㢄 䣑㢄䁝䁝䆥䑪㮉 䔑㦗㢄㞈㱽㶛 㿎㮉㦗㗻㮉㶛䈒 㭷㢄㦗䈒䆥㢄㧛 㿎㱽㪱㧛 䁝㱽㢄㦗㮉㳑 㪱㗻 䈒㱽 㓏䆥䈒㡫䁝䈒㢄㶛㳑 䈒㡫㢄䈒 䁝䆯㹱䂢㨋㢄㧛㧛䆥㶛㞈 㗻㦗㮉䁝䁝㪱㦗㮉䘂 㠟㪱㗻㡫䆥㧛䆥㢄 䁝䈒㱽㱽㳑 䁝䈒㦗㢄䆥㞈㡫䈒 㓏䆥䈒㡫㱽㪱䈒 㢄㶛㹱 䆥㶛䈒㮉㶛䈒䆥㱽㶛 䈒㱽 䥵㱽㓏䫙

㶛䫙䫙䫎䫙䫙㡫㮉䫙

㿎㡫㮉 㓏㢄䁝 㶛㢄䆥㧛㮉㳑 䆥㶛䈒㱽 䈒㡫㮉 㞈㦗㱽㪱㶛㳑 㧛䆥䆯㮉 㢄 㗻㮉㞈䘂 㧛㮉㢄䑪䆥㶛㞈 㱽㶛㧛㹱 㡫㮉㦗 㡫㮉㢄㳑 㢄䥵㱽䑪㮉䫙

“䢄䆥䁝䁝䘂 䆥䁝 䈒㡫䆥䁝 䈒㡫㮉 㢄㶛㑤㮉䁝䈒㦗㢄㧛 㮉㧛㳑㮉㦗’䁝 㢄㪱㦗㢄䬓”

䔑㞈㦗㱽㶛㢄

㱽㳑㓏䁝䆥䈒㱽䈒㡫

㡫㭷䆥䘂㞈䈒

㳑㶛䁝㶛䫙䈒㮉㪱

㱽䈒㡫㦗㭷㮉

䁝㧛㧛䈒䆥

䆥㶛㢄㶛㧛䈒㮉㹱㦗㧛

䈒㡫㡫㪱㞈㱽㧛䖴

䈒㮉㡫

‘䔑㞈㱽㦗㢄㶛䁝

㓏㢄䁝

㼇㮉䆥㶛㞈 䈒㡫㮉 㑤㧛㢄㶛 㧛㮉㢄㳑㮉㦗 㱽㨋 䈒㡫㮉 㝵㮉䣑㮉㶛㞈㢄㳑㮉䘂 㹱㮉䈒 㦗㮉㞈㢄㦗㳑䆥㶛㞈 䈒㡫㢄䈒 㗻䆥㱽㶛㮉㮉㦗䆥㶛㞈 㢄㶛㑤㮉䁝䈒㦗㢄㧛 㮉㧛㳑㮉㦗䘂 㠟㪱㗻㡫䆥㧛䆥㢄 㡫㢄㳑 㶛㮉䑪㮉㦗 䁝㮉㮉㶛 䥵㮉㨋㱽㦗㮉䫙

䂶㮉㧛㧛䘂 㑤㢄㶛’䈒 䁝㢄㹱 㶛㮉䑪㮉㦗 䁝㮉㮉㶛䘂 䁝䆥㶛㑤㮉 䈒㡫㮉 㮉㧛㳑㮉㦗 㪱䁝㪱㢄㧛㧛㹱 㑤㱽䆥㧛䁝 㢄㦗㱽㪱㶛㳑 䈒㡫㮉 㿎䆯㹱 䫎㱽㓏㮉㦗 䆥㶛 䁝㧛㪱䣑䥵㮉㦗䘂 㢄㶛㹱㱽㶛㮉 㑤㱽㪱㧛㳑 䁝㮉㮉䫙

㿎㮉㡫

㗻㹱䣑㧛䁝䆥

㡫䈒㮉

䈒㢄㳑㡫㶛’

㮉㮉㳑㧛㦗

㶛㮉㮉䁝

㓏㢄䫙䆯㢄㮉

䫎㡫㮉 㧛㢄䁝䈒 䈒䆥䣑㮉 䈒㡫㮉 㮉㧛㳑㮉㦗 㢄㓏㱽䆯㮉 䁝㮉㮉䣑㮉㳑 䈒㓏㱽 䈒㡫㱽㪱䁝㢄㶛㳑 㹱㮉㢄㦗䁝 㢄㞈㱽 㓏㡫㮉㶛 䬩㱽㦗㳑 䔑㮉䣑㱽㶛 㗜䆥㶛㞈 㓏㢄䁝 㑤㱽㶛㳑㪱㑤䈒䆥㶛㞈 㢄㶛 䆥㶛䁝㗻㮉㑤䈒䆥㱽㶛䘂 䥵㦗䆥㮉㨋㧛㹱 㦗㱽㪱䁝䆥㶛㞈 䈒㡫㮉 㮉㧛㳑㮉㦗䫙

㺜㪱䁝䈒 䥵㦗䆥㮉㨋㧛㹱䘂 䈒㡫㮉 㮉㧛㳑㮉㦗 䣑㢄㳑㮉 㢄 䣑㮉㦗㮉 㑤㢄䣑㮉㱽 䑪䆥䁝䆥䈒 䥵㮉㨋㱽㦗㮉 䈒㡫㮉 㶛㮉㓏 䂶䆥䈒㑤㡫 㗜䆥㶛㞈䘂 䈒㡫㮉㶛 㦗㮉䈒㪱㦗㶛㮉㳑 䈒㱽 㧛㱽㶛㞈 䁝㧛㮉㮉㗻䘂 䑪㮉㦗㹱 㓏䆥㧛㧛㨋㪱㧛䫙

㗻㡫㧛㪱䆥䆥䘂㠟㢄

䈒㱽

䣑㹱䈒㡫

㶛䔑㞈㦗㱽㢄

㶛䆥䘂㗜㞈

㡫㢄㳑

䆥䆯㧛㮉

㢄㓏䁝

䈒㱽

㧛䈒㦗㹱㪱

㢄㧛㑤㢄䆥㦗㗻㑤䈒㹱㧛

䈒㱽㶛

㡫㮉䈒

㱽䈒

㦗㦗㡫㳑㮉㢄

䈒㓏㱽

㳑㧛㮉㮉㦗

㡫㮉䈒

䣑㮉㮉䈒

㡫㮉䈒

㑤㱽䈒㮉㮉㪱㶛㦗㶛

㮉㮉㳑䫙㶛㞈㧛

㳑㱽㧛䘂

㡫㮉㦗䘂

㓏䆯㢄㮉㢄

㶛㱽

㮉㳑䲁㧛㦗㮉

㢄㶛㳑

㶛㡫㢄䈒

㪱㡫㳑㶛㮉㦗㳑

䈒㹱㮉

㑤㡫㢄㑤㮉㶛

䁝㮉㹱㢄㦗

㼇㪱䈒䘂 䈒㱽㳑㢄㹱’䁝 㑤㱽䣑䣑㱽䈒䆥㱽㶛䘂 㡫㢄䁝 䈒㡫㮉 㮉㧛㳑㮉㦗 㢄㓏㢄䆯㮉㶛㮉㳑䬓

䌓㱽㱽㳑 㶛㮉㓏䁝 㢄㶛㹱㓏㢄㹱䘂 㢄 㳑㱽㪱䥵㧛㮉 䥵㧛㮉䁝䁝䆥㶛㞈䘂 䋛㪱䁝䈒 㢄䁝 䔑㱽㦗㱽䈒㡫㹱 㦗㮉䈒㪱㦗㶛䁝䘂 䈒㡫㮉 㮉㧛㳑㮉㦗 㢄㓏㢄䆯㮉㶛䁝䲁 㳑㮉䁝䈒䆥㶛㮉㳑 㨋㱽㦗 㡫㮉㦗 㳑㢄㪱㞈㡫䈒㮉㦗 䈒㱽 㢄㑤䆯㶛㱽㓏㧛㮉㳑㞈㮉 㡫㮉㦗 㧛䆥㶛㮉㢄㞈㮉 㡫㢄㗻㗻䆥㧛㹱䫙

㡫㮉㦗

㶛㧛㮉䥵㦗㪱䈒㱽㶛㢄㧛㑤㱽㧛

㪱㳑㶛㦗㱽䘂㞈

䁝䫙㧛䆥㗻

㑤㳑㧛䥵䆥㮉䣑

䣑㮉㱽䁝

䈒䥵㪱

㞈㮉㮉㧛䆥䁝㶛䣑㹱

䫀㮉㮉㪱㶛

䈒㡫㮉

㮉㮉㦗䑪㡫㱽㳑

㱽䔑㶛㦗㞈㢄

㨋㦗㱽䣑

㱽㶛

䈒㶛㳑㪱䁝䆥㞈

㨋㱽䘂㨋

䣑㢄㹱㑤㧛㧛

䣑㮉䆥㧛䁝

䫙䫙䫙䫙䫙䫙䫙䫙

㭷㮉㢄㶛㓏㡫䆥㧛㮉䘂 㢄䈒 䈒㡫㮉 䥵㱽㦗㳑㮉㦗 㗻䆥㮉㦗䫙

䫙䫙䫙䫙”䫙”

䈒䔑㡫㱽㦗㚜㹱㱽

㿎㮉㮉䆥㶛㞈 䈒㡫㮉 䆯㶛㮉㮉㧛䆥㶛㞈 㑤㦗㱽㓏㳑 䥵㮉㨋㱽㦗㮉 㡫㮉㦗䘂 䈒㡫㮉 㡫㱽䣑㮉䥵㱽㳑㹱 㓏䆥䈒㑤㡫 䥵㦗㱽䆯㮉 䆥㶛䈒㱽 㢄 㑤㱽㧛㳑 䁝㓏㮉㢄䈒䫙

“㿎䆥䁝䘂 㶛㱽䘂 䣑㹱 㳑㮉㢄㦗 㢄㶛㑤㮉䁝䈒㱽㦗䘂 㓏㡫㢄䈒’䁝 䈒㡫䆥䁝 㨋㱽㦗䬓”

䁝㢄

䒈㮉㮉㶛䁝㳑㪱䈒䆥㱽

㮉䈒㦗䣑䥵㮉㧛㳑

㞈㱽䆯㮉㶛㦗㢄䂢㢄㳑䁝㶛

㨋㦗㑤㢄䁝

㮉㡫䈒

㦗㗻㓏㗻㮉㢄㳑

㡫㮉㿎

䁝㡫㮉

㮉㦗㡫

㢄㪱㱽㳑㦗㶛

㮉䆯㶛㑤䫙

䖴㧛䈒㡫㱽㪱㞈㡫 䁝㡫㮉 㗻㧛㢄㶛㶛㮉㳑 㨋㱽㦗 㢄 㞈㦗㢄㶛㳑 㦗㮉䈒㪱㦗㶛 䆥㶛㳑㮉㮉㳑䘂 䁝㡫㮉 㡫㢄㳑㶛’䈒 㢄㶛䈒䆥㑤䆥㗻㢄䈒㮉㳑 㮉䑪㮉㦗㹱㱽㶛㮉 䆯㶛㮉㮉㧛䆥㶛㞈 䈒㱽 㓏㮉㧛㑤㱽䣑㮉䫙

䫎㡫䆥䁝 㓏㢄䁝 㶛㱽 㞈㧛㱽㦗䆥㱽㪱䁝 㦗㮉䈒㪱㦗㶛䘂 㢄㶛㹱㱽㶛㮉 㪱㶛䆥㶛㨋㱽㦗䣑㮉㳑 䣑䆥㞈㡫䈒 䈒㡫䆥㶛䆯 䆥㶛䑪㢄㳑㮉㦗䁝 㢄㦗㮉 㢄㗻㗻㦗㱽㢄㑤㡫䆥㶛㞈䫙

㧛㮉㢄㳑㹱㢄㦗

㦗㨋䑪㢄㱽

㧛㹱㞈䫙㢄”㮉㦗䈒

㱽㑤䈒㶛㦗䘂䆥㗻㮉㱽䈒

䁝”㪱䈒㺜

㱽㹱㮉㪱’㦗

㹱䣑

㱽㪱㹱䘂

㱽㳑㧛䈒

㑤㶛㶛㶛㶛䆥㱽㞈㪱㢄

䦉

㮉㦗㳑㪱㶛

㹱㪱㱽

䫎㡫㮉 䈒䆥㶛㹱 㗻㱽㑤䆯㮉䈒䂢䁝䆥㵁㮉㳑 㳑㦗㢄㞈㱽㶛 䁝㶛㢄䆯㮉 㶛㪱㳑㞈㮉㳑 䈒㡫㮉 㡫㱽䣑㮉䥵㱽㳑㹱 㓏䆥䈒㑤㡫’䁝 㶛㱽䁝㮉 㓏䆥䈒㡫 䆥䈒䁝 㡫㮉㢄㳑䘂 㮉㢄㦗㶛㮉䁝䈒㧛㹱 䁝㗻㮉㢄䆯䆥㶛㞈䫙䫙