I Am A Legendary BOSS - Chapter 20 - The Awakening of the Magical Beast

Jiang Dao died extremely heroically in the apocalyptic world war. He never thought that he would have a chance to open his eyes again.

He traveled through, into a danmei book he had read, and became a vicious villain in the book.

Jiang Dao thought to himself: “After more than ten years of fighting for my life in the last days, I’m tired, so what am I fighting for? It’s better to be a vase. Use my face to finish the brokerage contract, and then find a corner in the world with beautiful scenery and live a peaceful life of growing vegetables, cooking, and raising cats and dogs…”

So, he returned the role that the original owner had snatched from the protagonist shou on the spot.

Unexpectedly, in the variety show that started shooting the next day, Jiang Dao performed a shoulder toss and threw the current number one kung fu actor, Chu Yinlong, to the ground.

Chu Yinlong: Boy, you have successfully caught my attention. My new movie, the villain, can fight, you come.

Jiang Dao: …Sorry, I’m just a vase.

————

In a later interview.

A reporter asked Chu Yinlong: “How would you rate your perfect partner, Mr. Jiang Dao?”

Chu Yinlong replied: “A vase.”

Reporter: “How can a kung fu superstar as famous as him be a vase?”

Chu Yinlong: “Diamond vase. Precious, beautiful, hard enough.”

- Description from Novelupdates

Special police officer Li Yu was reborn on the body of a little girl who was abused to death by her fiance’s family in Dayong Dynasty after saving people and sacrificed. Special police officer Li Yu was reborn as Li Yu in ancient times.

In my hometown, the former fiance’s family took back the property left by the original owner’s father, smashed and countered the murders of the Zhang family again and again, and rescued the scholar in the next village when he went hunting in the mountains.

When the wind and water came up, the sudden locust plague was followed by a disaster of war…

- Description from novelbuddy

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.