I Can Do Anything? - Chapter 4: Evil And Good, Agathokakological, Perfection Is Incommensurable

An unexpected discovery in Machu Picchu has transported a young professional thief from Earth to a world filled with mystical powers and evil plots. With his beloved teacher and best friend killed during the calamity, his only goal is to become stronger, so that he can take revenge for them.This is a novel filled with politics, the struggle for power, evil beauties, and of course, Divine Immortals.

- Description from Novelupdates

Gu Fei, a rookie who has not survived three episodes in the apocalypse, traveled to ancient times with space and became a girl in the Hou Mansion.

As soon as I arrived, my house was ransacked and sold.

​​It was finally bought back by her family. After three years of severe drought in her hometown, there was no harvest. Gu Fei and her family fled the north.

Along the way, countless people died of hunger. Gu Fei: Don’t be afraid, there is food in our space.

Bandits and refugees were rampant on the way forward. Gu Fei: Don’t be afraid, we have weapons in our space.

After all the money was spent, Gu Fei led his family to farm and open an inn to make a fortune, and by the way, he gained a little overlord’s crown prince.

The innocent prince: My wife can always conjure up many strange things. My wife must be a little fairy.

- Description from novelbuddy

Kota Sakamoto—virgin weeb, social reject, and hentai game addict—gets sucked into a perverted dungeon world straight out of Carnal Labyrinth EX, the 18+ erotic strategy game he secretly 100%-cleared.The catch?All eight of his hot classmates and their strict MILF teacher got dragged in with him.The other catch?They hate his guts.Worse still, this dungeon world is exactly like the game—every level a twisted, orgasm-fueled survival puzzle where failure means death by overstimulation, lust-monsters, or trap-triggered climaxes that literally drain your soul.He’s the only one who knows how to survive.They either listen to the virgin... or moan themselves to death.Bondage plants, lewd slime traps, fetish trials, and orgasm boss fights await—and the only way forward is obedience.What starts as reluctant cooperation turns into obsession, as each girl slowly falls for the boy they once mocked...…the virgin who’s now their dungeon master.

Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.