PREVIEW

... e and delight!

This is a barrier from the Chaos, and one that is formed from the supremely yin and utterly evil power.

It not only can corrode the Saint Bodies of Sages and Venerable Sages, but the Divine Bodies of God-level beings at the first and second orders might also be subject to corrosion.

What’s more terrifying is that there’s a force present here that devours Destiny!

"I never imagined that such a place could exist within the Chaos..." Lv Zhong’s eyes sp ...

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Renji had many exes.

However, these exes were all fictional characters in a post-apocalyptic game.

As an absolute devotee of strength, whenever a character became useless in the game, Renji would strip them of their equipment, claim their resources, and relegate them to the background as caretakers, giving the best to new powerful characters.

Of course, Renji always insisted that this was temporary, all in the name of advancing in the game and saving this precarious post-apocalyptic world!

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These “Fictional Characters” didn't seem to see it that way.

When Renji, with his emphasis on strength and meticulous planning, fulfilled his mission as the “savior,” putting an end to the source of Tainted Miasma in the wasteland and becoming the first to achieve a “perfect clearance.”

He unexpectedly found himself transported to the game's second stage.

He had thought he would soar directly, living a carefree life, but Renji realized that things were not quite as he had imagined.

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[Ding! Dragon Monarch System has been activated.]
Aditya finds himself in the body of a 19 years old dragon. Aditya learns the misfortune fate of the former Aditya. Being a man from the 21st century, Aditya decides to change his fate.
Being married to the 7 goddesses of this world, Aditya walks on a path to prove himself to his wives and to his family.

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Disclaimer: - The image used is not mine. If the author messages me, I will take down the image.

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Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.