MTL - I Became the Cannon Fodder In the Novels of Female Cultivators - Chapter 322 captive world

Lan Xuan smiled gently as she said, “My dear sister, who told you to obstruct my path? Your man belongs to me, your dowry belongs to me, your everything, belongs to me.”

She is the rising (new) movie queen of the entertainment circle, who is also Beijing’s Ye Family long-lost Second Young Miss. Everyone knows that the Ye Family Eldest Young Miss is the chairman of Fenghai Group; Ye Family Third Young Master is a Major General of the military area; and yet, Ye family wants the second young miss to come back home, but she is just a flower vase (pretty face) of the entertainment industry.

[Starting in Tokyo, staying overnight for the first time. 】

[Only by becoming stronger can you stop everyone’s mouths. 】

【Only by becoming better can you live without regrets. 】

A boy reborn in Tokyo, my high school life began when I met a girl from a family.

This book is also known as “Sign-in begins with cohabitation”, “I play games in Tokyo”, and “The Perfect Life Begins with Private Toyosaki”.

To care about the people you want to care about, to protect the people you want to protect.

starting today.

“System, I’m not a human anymore!” – by Kato Yusuke

(This book is a comprehensive daily love story, sweet text.)

- Description from novelbuddy

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.