PREVIEW

... eyes of Oliver, he groaned a little as he slowly began to wake up from his slumber. He took a minute to collect his thoughts, rubbing his sleepy face, and then the first thing that came into view was that he was in a spacious bedroom, lying in a very comfy bed, his body wrapped in a silk bedsheet. A moment later, the memories of everything that had happened the previous night came rushing back to him.

As he turned on his side and looked at his right, his eyes spotted the figure of an ad ...

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When the night came, there was a twittering sound in his ears, and the monster in the shadow began to move restlessly. Jason’s hungry stomach began to roar, and he couldn’t help swallowing saliva. Hunger is the best spur.

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What? He’s transmigrated into an apocalyptic novel?

What? He transmigrated into a white lotus?

What? The white lotus killed the main character shou (bottom, uke) and even proudly became a mistress?

Oh, luckily the white lotus in the apocalypse has a thick thigh to hold on to (someone to rely on).

What? This was actually an apocalyptic rebirth revenge story?

What? The thick thigh was actually a really big cannon fodder?

Therefore, this is the dramatic story of a man who transformed into a white lotus struggling to survive in an apocalyptic rebirth revenge novel, trying to avoid the reborn pig’s foot (the original main character), and trying his best to get away from the cannon fodder gong (top, seme).

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MTL - A Guide to Raising Your Natural EnemyChapter 130 That impersonated empress
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As long as hamster spirit Shu Shu can survive the lightning tribulation, then his cultivation will be able to turn him into a human. In the end, the lightning tribulation strikes him and he arrives in the… future?

Touching the hamster’s ear on his head, in order not to be seen by people and taken to be a monster, Shu Shu decides to dig a hole in the forest to hide and live, and as a result… a very big snake aaaahhhh! Please, don’t eat me!

The crown prince of the beast empire is seriously injured and becomes a beast that could no longer change into human form. He lives alone in the forest. One day, he sees a cute sub beastman deep in the forest. The sub beastman also sees him. At once, the sub beastman’s eyes roll backwards and he faints…. Scared to death?

Shu Shu: I have a unique technique of faking death.

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Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.