Talent System In The Naruto Universe - Chapter 115. Hanekawa Interrogates the Kunoichi

Following the death of his popular online persona, seventeen-year-old Suzuki Mato decides it's time to retire from professional VR gaming. However, his plans are abruptly cut short when he's kidnapped from his high school and forced to be a guinea pig for Genaco Gaming, the world's largest esports and entertainment company. Armed with nothing but his wit and a new online persona, he's thrown headfirst into the virtual reality of “Live No Evil,” a VRMMORPG littered with overpowered bosses, secretive NPCs, and backstabbing gods. His mission? Find a way to conquer this new world and get back at the company that took over his life, all while avoiding 'Parallel' -- a condition that would make it impossible to separate his real and virtual personalities. Because in a world obsessed with VR gaming, Parallel means death, and Suzuki just doesn't have time for that...

In Xu Yun Yao’s previous life, she overcame all obstacles barring her way just to become a queen. However, under the suppression of several ministers headed by Tang Song Nian she failed in the end. Just out of reach with bitter hatred in her heart, only to wake up and find herself reborn as the daughter of Tang Song Nian, as she died early.

Xu Yun Yao: I will trample you! You old fart! You dare to oppose this palace!

Tang Song Nian (laughing with joy): Aiya, our daughter’s boldness is truly too powerful.

Xu Yun Yao: I will kick you! I will bite you! You dare lead those ministers to slander this palace!

Tang Song Nian (gratified smile): I knew little treasure loves father best.

Xu Yun Yao: …….

- Description from Novelupdates

Immortal arts, magic weapons, magical powers, and the boundless spiritual qi between heaven and earth vanished into obscurity overnight, and all exorcists turned to mere mortals. Three hundred years later, the Five Hus traversed the pass, it was a prelude to an era of great turmoil in China. They heralded the end of the world, where thousands of drought fiends stalked the night —— the collapse of the Divine Land is imminent. Fortunately, within this long, dark night where silence had fallen on all magic, a lone star still glistened brightly on the horizon. The Heart Lamp appeared, illuminating the vast expanse around it. A sixteen-year-old young man, who will end his life on his twentieth birthday, embarked on a journey to reclaim the spiritual qi of heaven and earth that had been sealed away —— only four years remain. The road ahead was filled with countless thistles and thorns, and it seemed improbable for him to succeed. ———— Chen Xing: “The important thing is that I’m the last exorcist in this world, yet the only magic I am capable of is emitting light. What can I do?” Wait patiently then. When the Dinghai Pearl reappears on earth, the uncertain trajectory of everyone’s fates will be completely disrupted before converging once more. Chen Xing: “Could I be partnered with a more normal Protector Martial God?” Isn’t your Protector really skilled in fighting? Chen Xing: “He is good at fighting, but when he loses it he’ll hit even me……” There’s nothing that can be done about that, you can only blame yourself for losing yourself to lust.

George Sterling, once a successful lawyer turned actor, then turned magician, finds himself in dire straits as the rise of Artificial Intelligence takes away all his livelihoods. As he nears the end of his life, a family heirloom, a mysterious ring passed down from his father, transports him to an unfamiliar world seemingly distant from reality.

Upon awakening, George discovers a newfound opportunity that awaits him. Initially tasked with portraying the Wizard of Oz to survive, he delves into this new role. However, as he embraces his new identity, an even greater challenge lies ahead: he must venture into the realm of pretending to be a god.

This book uses characters and elements from L. Frank Baum's original Oz series which has entered the public domain and allows me to use them in my original book as long as I do not use the characters and elements from the adaptations that haven't entered the public domain.

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