Youkoso Jitsuryoku Shijou Shugi no Kyoushitsu e - Volume 16, Chapter 2: The Footsteps of Turmoil, Part 2

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.

The boundless universe was filled with all sorts of wonders.

I, Chen *Ping’an, only have one sword, to move mountains, turn the seas upside down, suppress demons, deal with gods, pluck stars, break rivers, destroy cities, and open the heavenly abode!

My name is Chen Ping’an, Ping’an* of Peace, and I am a swordsman.

The Midland world was full of wonders.

In the center of the world, there was a scholar who had once used a sword to slash out a waterfall of the Milky Way. This was the person he was the most proud of.

At the edge of the East Sea’s cliffs, there was a nameless Daoist who was unwilling to ascend to the peak of a mountain. He only wished for a cool breeze to brush against his face.

In the Western Pure Land, there was an old monk who liked to treat people to chicken soup and tell stories.

In the southern border of the Wilderness, there was a blind painter who controlled golden-armored puppets that were as tall as mountains to move the hundred thousand mountains, creating an embroidered picture.

An impoverished youth who grew up in the north. One day, he saw tens of thousands of Sword Kinesis Immortals above him, like a swarm of locusts crossing the border.

He wanted to see for himself the scholar that the storyteller had mentioned, the surging tides of the East Sea, the vast swamps of sand in the west, and the majestic mountains of the Southern Wasteland.

Thus, one day, the youth picked up the wooden sword and began to descend south.

Notes:

* Ping’an means peace

** The four directions here are just the four sides of the map of China and the earth. As for the World of Righteousness, it was only one of the four “World”.

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Renji had many exes.

However, these exes were all fictional characters in a post-apocalyptic game.

As an absolute devotee of strength, whenever a character became useless in the game, Renji would strip them of their equipment, claim their resources, and relegate them to the background as caretakers, giving the best to new powerful characters.

Of course, Renji always insisted that this was temporary, all in the name of advancing in the game and saving this precarious post-apocalyptic world!

But...

These “Fictional Characters” didn't seem to see it that way.

When Renji, with his emphasis on strength and meticulous planning, fulfilled his mission as the “savior,” putting an end to the source of Tainted Miasma in the wasteland and becoming the first to achieve a “perfect clearance.”

He unexpectedly found himself transported to the game's second stage.

He had thought he would soar directly, living a carefree life, but Renji realized that things were not quite as he had imagined.

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A Deadly Secret, also translated as Requiem of Ling Sing and Secret of the Linked Cities, is a wuxia novel by Jin Yong (Louis Cha). It was first published in the magazine Southeast Asia Weekly (東南亞周刊) and the Hong Kong newspaper Ming Pao in 1963. Its original Chinese title was Su Xin Jian before Jin Yong changed it to Lian Cheng Jue. The story revolves around the adventures of the protagonist Di Yun, an ordinary young peasant, who is imprisoned after being framed. In his quest for vengeance, he accidentally acquires the Liancheng Swordplay manual (連城劍谱), an ancient artifact not only prized for the skills detailed inside, but also for containing a secret leading to a treasure.