MTL - Entertainment From Divorce - v2 Chapter 658 waves

[WARNING: MATURE CONTENT] The Emperor’s runaway brides have formed a rebel group of scantily clad beauties trained in honey trap techniques. Delphi Chastain is their leader, a fiery beauty with a big axe to grind and a dream of freedom she’s willing to die for.EXTRACT: “Kiss me baby?” she said in her best babydoll voice.He didn’t have to be asked twice. Niko pinned her arms above her head and kissed her roughly with all of the force of the desire he was feeling.Three, two, one! she counted in her head. She bit his lip at the same time as she brought her knee up as hard as she could and kneed the man in the groin.“Ooaah,” he moaned. He fell sideways off her, clutching his balls.She leapt to her feet and sprinted off, picking up her belongings on the way past.“Thanks for saving me baby,” she called cheerily at him as she ran away. “Sorry about the crown jewels, but I’m not going back to the palace, so I don’t need them.”Post-WW3 there’s just the Island, and it’s ruled by the Emperor. It’s back to the good old days of polygamy and keeping women covered and chaperoned. The Emperor has raised Delphi and seven other gorgeous girls in the palace to join his harem, training and surgically enhancing them, like treats in a fantasy smorgasbord. But the girls escape and sail off the Island to the uninhabited Mainland, now overrun by mutant tubiàn beasts created as weapons during the War. Hot on their tails are the Emperor’s Honour Guard.Delphi leads the Girls over, under (^_-), and through the enemy, as they battle and tame beasts and men in their struggle to build an army to take down the Empire.Can the girls survive on their own on the Mainland and build a rebel army? Are there any trustworthy men, or are they all the same? Can the Guards resist the charms of the warrior girls? Do they want to?#enemiestolovers #sexywarrior #r18 #smut #post-apocalypse #war #action #fastpaced #scifi #betrayal #revenge #beast taming #battleofthesexes

Jinhyuk is a person who likes to immerse himself in the role of the Villains but there is one villain which he particularly hates,

Reed Adeleheights Roton, the false final boss of the game.

The one who created the Seven Disasters.

The one who due to his inferiority complex led to his own doom.

The one who turned a cute innocent girl into the monstrous First Disaster codenamed Cosmo.

“If I was the Villain then I would have raised her a little better.”

And thus God granted his wish and now he was the false final Villain Reed Adeleheights Roton, the creator of the Seven Disasters.

How different would the world turn out to be now?

Zheng Tan somehow returns to the year 2003, turning into a black cat. Picked up from a rubbish heap by the Jiao family, he is given the name “Charcoal”, and so begins the life inside Professor Jiao’s family. Zheng Tan remembers that he was once a person, but currently his body is that of a cat. He has no way of speaking the human language, but can understand it, and even retains the thinking and IQ of a young 20 year old youth. Read along as he adapts to this new world, and somehow tumbles from a group brawl to catching a thief.

- Description from Novelupdates

On an apparent normal Sunday, Luke suddenly woke up after hearing a voice warning him of something weird. After assuming that it was just a bizarre dream, he felt an earthquake that nearly destroyed his dormitory. As if things weren't odd enough, a zombie suddenly appears in his room and targets him.Somehow, Luke survived several encounters against the zombies thanks to his skill Weapon Augmentation, but then he suddenly finds a mini-sized elf and a mini-sized dark elf telling him that they want to help.After a stranger offer, Luke learns that something very big is happening with the planet, and now he will have to find the strength to fight against zombies and all kinds of weird creatures that want his neck... he will do all that while avoiding being tempted by those two very suspicious elves.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.